The Grand Miracle: Poem by Mary Karr

Maybe this is why I am still Catholic. At least the last 3 stanzas.
This poem is from one of my my favorite poets. Mary Karr.

The Grand Miracle



Jesus wound up with his body nailed to a tree—
a torment he practically begged for,
or at least did nothing to stop. Pilate

watched the crowd go thumbs down 
and weary, signed the order. 
So centurions laid Jesus flat

on a long beam, arms run along the crosspiece. 
In each palm a long spike was centered, 
a stone chosen to drive it. (Skin

tears; the bones start to split.) 
Once the cross got propped up, 
the body hung heavy, a carcass—

in carne, the Latin poets say, in meat. 
(—The breastbone a ship's prow . . .) 
At the end the man cried out

as men cry. (Tears that fill the eyes 
grow dark drop and by drop: One 
cries out.) On the third day,

the stone rolled back, to reveal 
no corpse. History is rife
with such hoaxes. (Look at Herodotus.)

As to whether he multiplied
loaves and fishes, that's common enough. 
Poke seed-corn in a hole and see if more corn

doesn't grow. Two fish in a pond 
make more fishes. The altar of reason
supports such extravagance. (I don't even know

how electricity works, but put trust 
in light switches.) And the prospect 
of love cheers me up, as gospel.

That some creator might strap on
an animal mask to travel our path between birth 
and ignominious death—now that

makes me less lonely. And the rising up
at the end into glory—the white circle of bread 
on the meat of each tongue that God

might enter us. For 2000-near years 
my tribe has lined up at various altars,
so dumbly I open this mouth for bread and song. 
a torment he practically begged for, or at least did nothing to stop. Pilate

watched the crowd go thumbs down 
and weary, signed the order. 
So centurions laid Jesus flat

on a long beam, arms run along the crosspiece. 
In each palm a long spike was centered, 
a stone chosen to drive it. (Skin

tears; the bones start to split.) 
Once the cross got propped up, 
the body hung heavy, a carcass—

in carne, the Latin poets say, in meat. 
(—The breastbone a ship's prow . . .) 
At the end the man cried out

as men cry. (Tears that fill the eyes 
grow dark drop and by drop: One 
cries out.) On the third day,

the stone rolled back, to reveal 
no corpse. History is rife
with such hoaxes. (Look at Herodotus.)

As to whether he multiplied
loaves and fishes, that's common enough. 
Poke seed-corn in a hole and see if more corn

doesn't grow. Two fish in a pond 
make more fishes. The altar of reason
supports such extravagance. (I don't even know

how electricity works, but put trust 
in light switches.) And the prospect 
of love cheers me up, as gospel.

That some creator might strap on
an animal mask to travel our path between birth 
and ignominious death—now that

makes me less lonely. And the rising up
at the end into glory—the white circle of bread 
on the meat of each tongue that God

might enter us. For 2000-near years 
my tribe has lined up at various altars,
so dumbly I open this mouth for bread and song. 

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