April 4 I love Poetry. Death, loss and Donald Hall's Letter in Autumn

When my Father died in 2004 I craved a way to talk about it.  I long for a community of people who understood the pool of grief. My fingers wrote and wrote and wrote.  Seriously I wrote some really terrible poems.  But this longing is where I discovered poetry...I was looking for words and images that captured my feelings that were beyond my language for feelings.

Though I didn't have this book of poetry at the time, Sean got it for me last year, this was the stuff I was looking for in 2004.

Donald Hall, a poet, was married to Jane Kenyon another poet. They both wrote about her dying. In this book of poetry Without he writes about continuing to live.  I dread Sean's death, I can barely breathe to think about it (I fear my children's death).  This poem pulls my heart right out of my chest...the love, the intimacy, the Mariners and the drone of baseball, the garden, the light all of it.

Be alive it tells me. Be alive now.

Letter in Autumn 

This first October of your death
I sit in my blue chair
looking out at late afternoon's
western light suffusing
its goldenrod yellow over
the barn's unpainted boards—
here where I sat each fall
watching you pull your summer's
garden up.

     Yesterday
I cleaned out your Saab
to sell it. The dozen tapes
I mailed to Caroline.
I collected hairpins and hair ties.
In the Hill's Balsam tin
Where you kept silver for tolls
I found your collection
of slips from fortune cookies:
YOU ARE A FANTASTIC PERSON!
YOU ARE ONE OF THOSE PEOPLE
WHO GOES PLACES IN THEIR LIFE!

As I slept last night:
You leap from our compartment
in an underground railroad yard
and I follow; behind us the train
clatters and sways; I turn
and turn again to see you tugging
at a gold bugle welded
to a freight car; then you vanish
into the pitchy clanking dark.

Here I sit in my blue chair
not exactly watching Seattle
beat Denver in the Kingdome.
Last autumn above Pill Hill
we looked from the eleventh floor
down at Puget Sound,
at Seattle's skyline,
and at the Kingdome scaffolded
for repair. From your armature
of tubes, you asked, "Perkins,
am I going to live?"

     When you died
in April, baseball took up
its cadences again
under the indoor ballpark's
patched and recovered ceiling.
You would have admired
the Mariners, still hanging on
in October, like blue asters
surviving frost.

     Sometimes
when I start to cry,
I wave it off: "I just
did that." When Andrew
wearing a dark suit and necktie
telephones from his desk,
he cannot keep from crying.
When Philippa weeps,
Allison at seven announces,
"The river is flowing."
Gus no longer searches for you,
but when Alice or Joyce comes calling
he dances and sings. He brings us
one of your white slippers
from the bedroom.

     I cannot discard
your jeans or lotions or T-shirts.
I cannot disturb your tumbles
of scarves and floppy hats.
Lost unfinished things remain
on your desk, in your purse
or Shaker basket. Under a cushion
I discover your silver thimble.
Today when the telephone rang
I thought it was you.

At night when I go to bed
Gus drowses on the floor beside me.
I sleep where we lived and died 
in the painted Victorian bed
under the tiny lights
you strung on the headboard
when you brought me home
from the hospital four years ago.
The lights still burned last April
early on a Saturday morning
while you died.

     At your grave
I find tribute: chrysanthemums,
cosmos, a pumpkin, and a poem
by a woman who "never knew you"
who asks, "Can you hear me Jane?"
there is an apple and a heart—
shaped pebble.

     Looking south
from your stone, I gaze at the file
of eight enormous sugar maples
that rage and flare in dark noon,
the air grainy with mist
like the rain of Seattle's winter.
The trees go on burning
Without ravage of loss or disorder.
I wish you were that birch
rising from the clump behind you,
and I the gray oak alongside.


-Donald Hall

Hall, Donald Without. Mariner Books Houghlin Mifflin Boston, 1998. p 59.